08/17/26 presentation at the International Conference of the European Association for Japanese Studies

06/20/26 presentation at Unheard Legacies: Rethinking Early Recording Histories (ERA)

06/04/26 premiere of new work commissioned by White Snake Projects opera company

04/10/26 panel talk and performance at Speculative Futures | APIDA Sounds and Stories

02/14/26 performance at Lansing Reverberator

01/07/26 presentation at IAFOR International Conference on Arts & Humanities in Hawaii

12/16/25 publication in TENOR

12/05/25 launch of Bogue Street Records

11/12/25 presentation at 25th International Conference on Principles of Music Composing

11/05/25 premiere of new works at New Music Forum

10/17/25 presentation at New Music Festival (MACCM)

08/18/25 publication in Scifaikuest

06/25/25 presentation at NIME international conference

05/13/25 publication in Organised Sound (Cambridge University Press)

03/22/25 presentation at SEAMUS national conference

03/12/25 publication in tsuri-dōrō

01/02/25 included in Avant Music News – Best of 2024

12/30/24 publication in hedgerow

10/22/24 telematic premiere of new work at the Australasian Computer Music Conference

10/18/24 premiere of new algorithmic composition during visiting scholar-composer residency at CNMAT, University of California, Berkeley

09/23/24 publication in Leonardo (MIT Press)

08/31/24 Special Prize in the Ise-Shima International Composition Competition

04/26/24 release of two electroacoustic works on Neuma Records

09/23/24 publication in Leonardo (MIT Press)

Renga for White Noise

for human and AI collaborators

Mountain Witch

for soprano, guzheng, clarinet, cello, and live electronics

The World Between Worlds

for soprano, baritones, and electronics

Ataraxia

for soprano and electronics