2026
| 8.17 | presentation at the International Conference of the European Association for Japanese Studies |
| 7.15 | presentation at the International Conference on Analytical Approaches to World Musics |
| 6.20 | presentation at Unheard Legacies: Rethinking Early Recording Histories (ERA) |
| 6.19 | album release of opera The Ghost — Act I: Part I on Neuma Records |
| 6.4 | premiere of new work commissioned by White Snake Projects opera company |
| 4.10 | panel talk and performance at Speculative Futures | APIDA Sounds and Stories |
| 2.14 | performance at Lansing Reverberator |
| 1.7 | presentation at IAFOR International Conference on Arts & Humanities in Hawaii |
2025
| 12.16 | publication in TENOR |
| 12.5 | launch of Bogue Street Records |
| 11.12 | presentation at 25th International Conference on Principles of Music Composing |
| 11.5 | premiere of new works at New Music Forum |
| 10.17 | presentation at New Music Festival (MACCM) |
| 8.18 | publication in Scifaikuest |
| 6.25 | presentation at NIME international conference |
| 5.13 | publication in Organised Sound (Cambridge University Press) |
| 3.22 | presentation at SEAMUS national conference |
| 3.12 | publication in tsuri-dōrō |
| 1.2 | included in Avant Music News – Best of 2024 |
2024
| 12.30 | publication in hedgerow |
| 10.22 | telematic premiere of new work at the Australasian Computer Music Conference |
| 10.18 | visiting scholar-composer residency at CNMAT, University of California, Berkeley |
| 9.23 | publication in Leonardo (MIT Press) |
| 8.31 | Special Prize in the Ise-Shima International Composition Competition |
| 7.15 | publication in Presence |
| 4.26 | release of two electroacoustic works on Neuma Records |
| 4.14 | publication in seashores |